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The ground of the image / Jean-Luc Nancy

Main Author Nancy, Jean-Luc, 1940- Country Estados Unidos. Publication New York : Fordham University Press, cop. 2005 Description 158 p. : il. ; 24 cm Series Perspectives in continental philosophy , 51 ISBN 978-08232-2541-5 CDU 18.01
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Item type Current location Call number Status Date due Barcode Item holds
Monografia Biblioteca Nuno Portas
BNP 18.01 - N Available 471398
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Enhanced descriptions from Syndetics:

If anything marks the image, it is a deep ambivalence. Denounced as superficial, illusory, and groundless, images are at the same time attributed with exorbitant power and assigned a privileged relation to truth. Mistrusted by philosophy, forbidden and embraced by religions, manipulated as "spectacle" and proliferated in the media, images never cease to present their multiple aspects, their paradoxes, their flat but receding spaces.
What is this power that lies in the depths and recesses of an image--which is always only an impenetrable surface? What secrets are concealed in the ground or in the figures of an image--which never does anything but show just exactly what it is and nothing else? How does the immanence of images open onto their unimaginable others, their imageless origin?
In this collection of writings on images and visual art, Jean-Luc Nancy explores such questions through an extraordinary range of references. From Renaissance painting and landscape to photography and video, from the image of Roman death masks to the language of silent film, from Cleopatra to Kant and Heidegger, Nancy pursues a reflection on visuality that goes far beyond the many disciplines with which it intersects. He offers insights into the religious, cultural, political, art historical, and philosophical aspects of the visual relation, treating such vexed problems as the connection between image and violence, the sacred status of images, and, in a profound and important essay, the forbidden representation of the Shoah. In the background of all these investigations lies a preoccupation with finitude, the unsettling forces envisaged by the images that confront us, the limits that bind us to them, the death that stares back at us from their frozen traits and distant intimacies.
In these vibrant and complex essays, a central figure in European philosophy continues to work through some of the most important questions of our time.

Table of contents provided by Syndetics

  • Illustrations (p. x)
  • Note on the Texts (p. xi)
  • 1 The Image-the Distinct (p. 1)
  • 2 Image and Violence (p. 15)
  • 3 Forbidden Representation (p. 27)
  • 4 Uncanny Landscape (p. 51)
  • 5 Distinct Oscillation (p. 63)
  • 6 Masked Imagination (p. 80)
  • 7 Nous Autres (p. 100)
  • 8 Visitation: Of Christian Painting (p. 108)
  • 9 The Sovereign Woman in Painting (p. 126)
  • Notes (p. 139)

Author notes provided by Syndetics

Jean-Luc Nancy is Distinguished Professor of Philosophy at the Universite Marc Bloch, Strasbourg
Jeff Fort is currently a lecturer in the Department of Comparative Literature at the University of California, Berkeley

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