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Multimedia signals and systems / Mrinal Kr. Mandal

Main Author Mandal, Mrinal Kr. Country Estados Unidos. Publication Boston : Kluwer Academic Publishers, cop. 2003 Description XIV, 375 p. : il. ; 25 cm Series Kluwer international series in engineering and computer science , 716 ISBN 1-4020-7270-8 CDU 681.3
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Holdings
Item type Current location Call number Status Date due Barcode Item holds Course reserves
Monografia Biblioteca Geral da Universidade do Minho
BGUM 681.3 - M Available 332383

Mestrado Integrado em Engenharia de Telecomunicações e Informática Tecnologias e Serviços Multimédia 2º semestre

Mestrado em Engenharia de Redes e Serviços Telemáticos Serviços e Sistemas Multimédia 2º semestre

Produtos Computador Biblioteca Geral da Universidade do Minho
BGUM 681.3 - M Available 332384
Total holds: 0

Enhanced descriptions from Syndetics:

Multimedia Signals and Systems is primarily a technical introductory level multimedia textbook, including problems, examples, and MATLAB® codes. It will be a stepping-stone for readers who want to research in audio processing, image and video processing, and data compression.
This book will also be useful to readers who are carrying out research and development in systems areas such as television engineering and storage media.
Anyone who seeks to learn the core multimedia signal processing techniques and systems will need Multimedia Signals and Systems. There are many chapters that are generic in nature and provide key concepts of multimedia systems to technical as well as non-technical persons.
There are also several chapters that provide a mathematical/ analytical framework for basic multimedia signal processing. The readers are expected to have some prior knowledge about discrete signals and systems, such as Fourier transform and digital filters. However, a brief review of these theories is provided. Additional material for this book, including several MATLAB® codes along with a few test data samples; e.g., audio, image and video may be downloaded from http://extras.springer.com.

Table of contents provided by Syndetics

  • 1. Introduction (p. 1)
  • 1.1. Development of Multimedia Systems (p. 2)
  • 1.2. Classification of Media (p. 3)
  • 1.3. Properties of Multimedia Systems (p. 5)
  • 1.4. Multimedia Computing (p. 6)
  • 1.5. Different Aspects of Multimedia
  • References (p. 9)
  • Questions (p. 9)
  • Part I Multimedia Signals
  • 2. Audio Fundamentals (p. 11)
  • 2.1 Characteristics of Sound (p. 11)
  • 2.2 The Human Auditory System (p. 14)
  • 2.3 Audio Recording (p. 18)
  • 2.4 Audio Signal Representation (p. 23)
  • 2.4.1 Waveform method (p. 23)
  • 2.4.2 Musical Instrument Digital Interface (p. 24)
  • References (p. 30)
  • Questions (p. 31)
  • 3. The Human Visual System and Perception (p. 33)
  • 3.1 Introduction (p. 33)
  • 3.2 The Human Visual System (p. 34)
  • 3.2.1 Relative Luminous Efficiency (p. 36)
  • 3.2.2 Weber's Law (p. 37)
  • 3.2.3 Modulation Transfer Function (p. 38)
  • 3.2.4 HVS Model (p. 42)
  • 3.3 Color Representation (p. 42)
  • 3.3.1 Three-Receptor Model (p. 42)
  • 3.3.2 Color Matching (p. 44)
  • 3.3.3 Tristimulus Value (p. 45)
  • 3.3.4 Chromaticity Diagram (p. 47)
  • 3.3.5 Color Models and Transformation of Primaries (p. 48)
  • 3.3.5.1 NTSC Receiver Primary (p. 49)
  • 3.3.5.2 NTSC Transmission System (p. 50)
  • 3.3.5.3 1960 CIE-UCS Color coordinates (p. 53)
  • 3.3.5.4 CMY Model (p. 54)
  • 3.4 Temporal Properties of Vision (p. 54)
  • References (p. 55)
  • Questions (p. 56)
  • 4. Multimedia Data Acquisition (p. 57)
  • 4.1 Sampling of Audio Signals (p. 57)
  • 4.2 Sampling of Two-Dimensional Images (p. 63)
  • 4.3 Anti-Aliasing Filters (p. 67)
  • 4.4 Digitization of Audio Signals (p. 70)
  • 4.4.1 Analog to Digital Conversion (p. 71)
  • 4.4.2 Audio Fidelity Criteria (p. 75)
  • 4.4.3 MIDI versus Digital Audio (p. 78)
  • 4.5 Digitization of Images (p. 79)
  • 4.5.1 Visual Fidelity Measures (p. 79)
  • References (p. 81)
  • Questions (p. 81)
  • Part II Signal Processing and Compression
  • 5. Transforms and Subband Decomposition (p. 83)
  • 5.1 1-D Unitary Transform (p. 84)
  • 5.2 1-D Discrete Fourier Transform (p. 85)
  • 5.3 1-D Discrete Cosine Transform (p. 90)
  • 5.4 Digital Filtering and Subband Analysis (p. 93)
  • 5.4.1 Digital Filters (p. 93)
  • 5.4.2 Subband Analysis (p. 97)
  • 5.4.3 Transforms and Digital Filtering (p. 103)
  • 5.5 1-D Discrete Wavelet Transform (p. 104)
  • 5.6 2-D Unitary Transform (p. 109)
  • 5.7 2-D Discrete Fourier Transform (p. 111)
  • Questions (p. 119)
  • 5.8 2-D Discrete Cosine Transform (p. 114)
  • 5.9 2-D Discrete Wavelet Transform (p. 116)
  • References (p. 118)
  • 6. Text Representation and Compression (p. 121)
  • 6.1 Text Representation (p. 121)
  • 6.2 Principles of Text Compression (p. 124)
  • 6.3 Statistical Redundancy (p. 124)
  • 6.3.1 Probability Density Function and Entropy (p. 125)
  • 6.3.2 Shannon's Noiseless Source Coding Theorem (p. 127)
  • 6.3.3 Huffman Coding (p. 129)
  • 6.3.4 Arithmetic Coding (p. 133)
  • 6.4 Dictionary-based Compression (p. 137)
  • 6.4.1 LZ77 Technique (p. 138)
  • 6.4.2 LZ78 Technique (p. 140)
  • 6.5 Summary (p. 143)
  • References (p. 143)
  • Questions (p. 144)
  • 7. Digital Audio Compression (p. 145)
  • 7.1 Audio Compression Principles (p. 145)
  • 7.1.1 Rate Distortion Function (p. 147)
  • 7.2 Statistical Redundancy (p. 148)
  • 7.2.1 Companding and Expanding (p. 149)
  • 7.3 Temporal Redundancy (p. 151)
  • 7.4 Perceptual Audio Coding (p. 156)
  • 7.5 Audio Compression Standards (p. 158)
  • 7.6 MPEG-1 Audio Compression Standard (p. 159)
  • 7.7 MPEG-2 Audio Compression Standard (p. 162)
  • 7.8 AC Audio Compression Standards (p. 163)
  • 7.9 Comparison of Compression Algorithms (p. 165)
  • 7.10 Audio Formats (p. 166)
  • References (p. 166)
  • Questions (p. 167)
  • 8. Digital Image Compression Techniques (p. 169)
  • 8.1 Principles of Image Compression (p. 169)
  • 8.2 Low Complexity Compression Techniques (p. 170)
  • 8.2.1 Entropy Coding (p. 170)
  • 8.2.2 Run-length Coding (p. 171)
  • 8.2.3 Predictive Coding (p. 173)
  • 8.3 Transform Coding (p. 175)
  • 8.3 Transform Coding (p. 175)
  • 8.3.1 Unitary Transform (p. 176)
  • 8.3.2 Block Transform (p. 177)
  • 8.3.3 Wavelet Coding (p. 179)
  • 8.3.4 Comparison of DCT and Wavelets (p. 180)
  • 8.4 Other Coding Techniques (p. 182)
  • 8.4.1 Vector Quantization (p. 183)
  • 8.4.2 Fractal Image Compression (p. 184)
  • 8.5 Image Compression Standards (p. 185)
  • 8.6 The JPEG Image Compression Standard (p. 186)
  • 8.6.1 Baseline Sequential Mode (p. 186)
  • 8.6.2 Other JPEG Modes (p. 192)
  • 8.7 The JPEG 2000 Standard (p. 193)
  • 8.8 Image Formats (p. 199)
  • References (p. 200)
  • Questions (p. 201)
  • 9. Digital Video Compression Techniques (p. 203)
  • 9.1 Principles of Video Compression (p. 203)
  • 9.2 Digital Video and Color Redundancy (p. 204)
  • 9.3 Temporal Redundancy Reduction (p. 207)
  • 9.4 Block-based Motion Estimation (p. 209)
  • 9.4.1 Fast Motion Estimation Algorithms (p. 214)
  • 9.5 Video Compression Standards (p. 221)
  • 9.5.1 Motion JPEG (p. 222)
  • 9.5.2 The MPEG-1 Video Compression Standard (p. 222)
  • 9.5.3 The MPEG-2 Video Compression Standard (p. 224)
  • 9.5.4 The MPEG-4 Video Compression Standard (p. 226)
  • 9.5.4.1 Video Coding Scheme (p. 228)
  • 9.5.5 The H.261 Video Compression Standard (p. 231)
  • 9.5.6 H.263, H.263+ and H.26L Standards (p. 231)
  • 9.5.7 Comparison of Standard Codecs (p. 232)
  • References (p. 235)
  • Questions (p. 236)
  • 10.3 Audio Enhancement (p. 245)
  • 10. Digital Audio Processing (p. 239)
  • 10.1 Audio Filtering Techniques (p. 239)
  • 10.2 Audio Equalization (p. 241)
  • 10.3.1 Noise Suppression by Digital Filtering (p. 246)
  • 10.3.2 Spectral Subtraction Method (p. 248)
  • 10.4 Editing MIDI Files (p. 252)
  • 10.5 Digital Audio and MIDI Editing Tools (p. 254)
  • References (p. 255)
  • Questions (p. 256)
  • 11. Digital Image and Video Processing (p. 257)
  • 11.1 Basic Image Processing Tools (p. 257)
  • 11.1.1 Image Resizing (p. 257)
  • 11.1.2 Cropping (p. 260)
  • 11.2 Image Enhancement Techniques (p. 261)
  • 11.2.1 Brightness and Contrast Improvement (p. 261)
  • 11.2.1.1 Contrast Stretching (p. 262)
  • 11.2.1.2 Histogram Equalization (p. 265)
  • 11.2.2 Image Sharpening (p. 266)
  • 11.3 Digital Video (p. 267)
  • 11.3.1 Special Effects and Gradual Transition (p. 269)
  • 11.3.1.1 Wipe (p. 269)
  • 11.3.1.2 Dissolve (p. 272)
  • 11.3.1.3 Fade In/Out (p. 272)
  • 11.3.2 Video Segmentation (p. 273)
  • 11.3.2.1 Camera Operations (p. 279)
  • 11.4 Image and Video Editing Softwares (p. 280)
  • 11.5 Summary (p. 280)
  • References (p. 281)
  • Questions (p. 282)
  • Part III Multimedia Systems
  • 12. Analog and Digital Television (p. 283)
  • 12.1 Analog Television Standards (p. 283)
  • 12.2 Raster Scanning (p. 285)
  • 12.3 Color Space for TV Transmission (p. 286)
  • 12.3.1 NTSC System (p. 288)
  • 12.3.2 PAL System (p. 289)
  • 12.4 NTSC Television System (p. 291)
  • 12.4.1 Channel Assignment (p. 291)
  • 12.4.2 NTSC Encoder and Decoder (p. 293)
  • 12.5 Component and S-Video (p. 295)
  • 12.6 Digital Television (p. 296)
  • 12.6.1 Grand Alliance HDTV Standard (p. 299)
  • References (p. 303)
  • Questions (p. 304)
  • 13. Content Creation and Management (p. 305)
  • 13.1 Multimedia Authoring (p. 305)
  • 13.2.2 Icon-Based Tools (p. 310)
  • 13.1.1 Authoring Steps (p. 306)
  • 13.2 Multimedia Authoring Tools (p. 308)
  • 13.2.1 Card/Page-Based Tools (p. 309)
  • 13.2.3 Time-Based Tools (p. 311)
  • 13.2.4 Object Oriented Tools (p. 312)
  • 13.3 Multimedia Documents (p. 313)
  • 13.4 Hepertext and Hypermedia (p. 315)
  • 13.4.1 Nonlinear Information Chain (p. 315)
  • 13.4.2 Hypertext and Hypermedia Systems (p. 316)
  • 13.4.3 Mark-up Languages (p. 317)
  • 13.4.4 HTML (p. 318)
  • 13.4.5 XML (p. 321)
  • 13.5 Web Authoring Tools (p. 323)
  • 13.6 Multimedia Standards (p. 325)
  • 13.6.1 The MPEG-7 Standard (p. 326)
  • 13.6.2 The MPEG-21 Standard (p. 328)
  • 13.6.3 The MHEG Standard (p. 329)
  • 13.7 Summary (p. 329)
  • References (p. 330)
  • Questions (p. 330)
  • 14. Optical Storage Media (p. 333)
  • 14.1 Physical Medium (p. 334)
  • 14.1.1 Cross-section of a CD (p. 334)
  • 14.1.2 Digital Versatile Disc (DVD) (p. 335)
  • 14.1.3 Physical Formats and Speeds (p. 336)
  • 14.1.4 Playback of CD and DVD (p. 337)
  • 14.1.5 CD-ROM, CD-R, and CD-RW (p. 340)
  • 14.1.6 Advantages of Optical Technology (p. 342)
  • 14.2 CD and DVD Standards (p. 342)
  • 14.2.4 Video CD and DVD-Video Standards (p. 348)
  • References (p. 350)
  • Questions (p. 350)
  • 15. Electronic Displays (p. 351)
  • 15.1 Important Display Parameters (p. 351)
  • 15.2 Cathode-Ray Tube (p. 353)
  • 15.3 Field Emission Display (p. 355)
  • 15.4 Plasma Display (p. 357)
  • 15.5 Liquid Crystal Display (p. 360)
  • 15.6 Digital Micromirror Display (p. 363)
  • References (p. 365)
  • Questions (p. 366)
  • Appendix About the CD-ROM (p. 367)
  • Index (p. 371)

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